The Monday Book: STORY HOUR by Sarah Henderson Hay

pigI told them a thousand times if I told them once:
Stop fooling around, I said, with straw and sticks;
They won’t hold up; you’re taking an awful chance.
Brick is the stuff to build with, solid bricks.
You want to be impractical, go ahead.
But just remember, I told them; wait and see.
You’re making a big mistake. Awright, I said,
But when the wolf comes, don’t come running to me.
The funny thing is, they didn’t. There they sat,
One in his crummy yellow shack, and one
Under his roof of twigs, and the wolf ate
Them, hair and hide. Well, what is done is done.
But I’d been willing to help them, all along,
If only they’d once admitted they were wrong.”

This is from Story Hour, published in 1963 by Sarah Henderson Hay, the most popular and enduring of her six poetry works.

I love fractured fairy tales as much as I hate poetry. (There, now I’ve admitted it. Likely this diminishes me in your eyes, but usually I just don’t get the stuff.) But as my friend Teri can testify from yesterday’s blog, I love fiction that analyzes dysfunction. Hay calls Hansel and Gretel juvenile delinquents; Rapunzel chooses safety over love; the Goose Girl  princess hates court life and longs for the little farm boy back home, “who knew better games to play than Ring around a Rosy.”

Yeah, they’re kinda raw. And beautiful. My all time favorite line about storytelling is from Hay’s interpretation of Jack and the Beanstalk: “Was no one sorry for the murdered giant? How requisite to every fairy tale, a round-eyed listener who asks no questions.”

Hay has a way of revealing troublesome undercurrents, turning the unexplored but-how-did-the-minor-characters-feel moments into startling new ways of seeing. Mother Hubbard, told from the dog’s point of view, is gut-twisting, counterbalanced by the stepmother’s cheery prattle regarding Cinderella.

It used to be hard to find this book, but with reprints appearing across the academic spectrum, this little gem should be fairly easy to lay hands to. I highly recommend doing so.

https://libwebspace.library.cmu.edu/specialcollections/shhay.html has information about Hay’s life and literary collection, if you’re interested.

And although Story Hour is my favorite of her works, she wrote a lot about Christianity, too.

I tracked Him to the mind’s far rim.

The valiant Intellect went forth

To east and west and south and north,

And found no trace of Him.

We walked the world from sun to sun,

Logic and I, with little Faith,

But never came to Nazareth,

Or found the Holy One.

I sought in vain. And finally,

Back to the heart’s small house I crept,

And fell upon my knees, and wept;

And lo! — He came to me!

The Monday Book: Istanbul Passage by Joseph Karon

We apologize for recent glitches in the blog timing. We were experimenting with presetting, and it’s not been going well. We’re going back to manual settings and will be good for Monday, Wednesday and Friday regular blogs henceforth. Technology wins again…. :] and now, Jack’s review of ISTANBUL PASSAGE
I’m a sucker for spy novels, and Wendy and I recently spent two weeks in Istanbul, so this screamed at me when it came into the shop.
I wasn’t disappointed!
Karon is often compared to Le Carre and Greene and my first observation to Wendy was “this is a cross between ‘The Third Man’ and ‘Smiley’s People’”.
The plot is both dense and enthralling – I was continually sucked in and drawn along. To begin with I was confused (actually, after finishing the book I had to go back and re-read the first few chapters). Wendy and I had not only visited Istanbul, but also Romania (not to mention Rumania and Roumania), so all the settings meant a great deal to me. Did being familiar with the places make the book more meaningful? I really don’t know!
Having said that, I definitely got an extra jolt from knowing the settings of the story.
Briefly this is a tale set in Istanbul just after the 2nd World War and as the Cold War is getting going. I had either forgotten or never realized that Turkey was neutral during that war. It was, therefore, one of those strange places like Switzerland and Portugal where the spies, diplomats or black-marketeers could mingle and play out their dramas. One of the main characters is an American businessman who’s become a ‘semi-detached’ spy and another is a Romanian double-agent. In the end the story ends up being about their relationship as much as anything else.
The descriptions of Istanbul rang very true. The book is set in 1946, but all the descriptions of streets and landmarks are just familiar enough to take me back there. Not just that, but the atmosphere as well!
When Wendy and I were flying home from Istanbul after our 15th anniversary vacation last year, one of the movies on the plane was the latest James Bond, which started with a scene in Istanbul’s Grand Bazaar – we’d just been there and one of the settings in Karon’s book is also there. Not just that, but Wendy had almost been pick-pocketed there as well.
In the end the book is about choices. Who you owe most to and where your loyalties lie.
There’s an interesting interview with Karon at the end of the edition we have where he says that the best spy novels are not about spying but more about moral dilemmas. I wonder whether all the best books, no matter what the genre, are about those?