The Monday TV show, which falls in a Tuesday this week…

800 wordsI’m sorry everyone; Jack is away and things are in transition here and getting the blog out has gotten weird. Sorry!

But I would like to recommend to you a Monday TV show about writing. We watch it on ACORN, so I’m not sure if it’s available on any other services. It’s called 800 WORDS and is about a columnist who moves his family from urban Sydney to rural Weld, New Zealand. The rural-urban split is fun, and the characters are wonderful: zany, sweet, and just this side of predictable.

My favorite part of the show is how George, the columnist whose wife died in a traffic accident, tops and tails the show with the column he’s writing. Remembering the days when I turned my life into fodder for newspaper columnizing (although I got 1,000 words, thank you) makes me laugh as he struggles to create metaphors for when life gets too silly: sex for fireworks, dolphins swimming away at sunset for loss. It’s hysterical.

And heartfelt. About the time you think, nah, it turns you to tears. The characters each struggle for something, want more than they have, are the stars of their own lives, and the ensemble casting makes a jumble of weirdos who mirror small towns everywhere.

I don’t know if it’s available outside of ACORN, but I highly recommend 800 Words for general viewing, and for writers. You’ll learn from it. And have fun in the process.

Sunset, Sunrise

sea-sky-sunset-8101My friend Jenny got told she should go home and make peace with herself and God. Since she already was, she came home, opened her door, and said, “Come say goodbye.”

Jenny had the kind of cancer that made it dangerous for her to have visitors, but being a gregarious person, this rankled during her time. We sent a lot of FB messages while she was fighting off the body invaders. When she knew it wasn’t going to work, the invites went out, and we all went.

Jenny died while I was on a plane flying from East Coast to West. When I touched down in Seattle for a writing retreat, the first thing I got was a text from Jack saying she had left us.

And a reminder that he was going to our friend Destiny’s wedding reception that night. After living through a great deal of trauma, Destiny had found a guy who wanted to look after her and her two children; her life was about to turn, on the same day Jenny’s turned the other way.

Jenny was saying goodbye, ready to go, excited almost to think about what would happen when she met God and what her physical body and spiritual soul would turn into. On one of two visits I got in before the end came, Jenny took a sip of coffee and said, “I wonder what happens to us when we die? Do we disappear or turn into something?”

Her sisters froze. We looked at each other. All I could think was You’re about to find out, but you can’t tell us after you know. That’s part of the plan.

Destiny’s first husband’s death was a community gossip tragedy, but she’s the one who knows what it feels like to lose a guy who’d been fighting for years to reclaim his own life. And who knows what it feels like to love again. The community judgement she faces for either husband is irrelevant, and she knows it. She doesn’t say much.

Sunset, sunrise: two women with stories locked inside them, a story they can’t tell for different reasons. Unlocking the stories, giving voices to those whose stories are inconvenient, or indicting, or scary for the rest of us: that’s what I came to Seattle to be part of. It’s a writing retreat for women telling their stories, some in first person, some couched in fiction. The stories are inconvenient, indicting, and scary. And wonderful.

The world feels dimmer without Jenny in it, the world feels happier because Destiny and Ira got married. The world tilts at an incredible pace, and sometimes we can’t write fast enough to keep up with it.

Sometimes we can, though. And we should. Chronicle the sunsets, chronicle the sunrises. Find your voice and use it.