The Monday Book: FREE GIFT WITH PURCHASE by Jean Godfrey-June

godfreyPublished in 2006, Free Gift with Purchase: my improbable career in magazines and makeup sat on our shelves in the shop awhile. One day I picked it up, realized it was a memoir that had been misfiled in fiction, and headed across the shop floor. But I opened it and read a random section–

–and started laughing. I don’t wear make-up, or move in fashionista circles, but the book drew me in. The fun of reading is living someone else’s life for awhile.

Godfrey has a wicked sense of humor, balanced by a strong grounding in the fact that her life is about something halfway between silly and essential. I loved her opening explanation establishing why beauty is important–war zones doing a roaring trade in black market cosmetics, e.g.–and that everyone has some sort of beauty regime, whether it involves “product” or not. She seems to have a healthy respect for the the American consumer, pointing out that about half of “advice” is really “sales pitch” and it’s up to the purchaser to discern the difference.

Then she just starts telling stories, interspersed with advice. Most of the advice sailed over my head, but I devoured her funny, wise stories, like how networks (and careers) are formed and lost by a single ill-timed giggle. How those glam parties full of celebs are really the trading floor, everyone working hard without daring to sweat into silk OR admit they’re working. (If you look like you’re networking, you’re doing it wrong.) How you need to know yourself before you let anyone at a makeup counter touch you, or you wind up looking like a man in drag, and the woman behind the counter may revel in this because you didn’t buy anything.

This isn’t a cohesive story with a narrative arc, and I liked it for that reason, dipping in of an evening to relax before bed. This is a sweet, alluring book, with a little more depth than expected, if one comes to it with a healthy disrespect for the lines between which Godfrey-June colors. Underneath her writing runs a sense of “we’re not curing cancer, but we’ve made women with cancer feel better by giving them prettiness.”

Spots of name-dropping and elbow-rubbing with the insider crowd decorate her prose (like glitter in eye shadow? teehee) but aren’t the focus. Those with journalism backgrounds might particularly like the “vapid meets intensity” moments when people who write for a living have to come up with something meaningful to say about perfume that doesn’t involve “sweet” or “fruity.”

Not setting the world on fire, but adding a bit of color, this fun, cheerful book.

 

 

The Monday Book: WE HAVE ALWAYS LIVED IN THE CASTLE by Shirley Jackson

WeHaveAlwaysLivedInTheCastle“A pretty sight, a lady with a book.” –Shirley Jackson, We Have Always Lived in the Castle

The problem with being a big reader in school is that by the time you get to classes where the teacher is passing out big books (or even big concept stories) you’ve seen that theme/archetype/trope/chestnut already in something else.

Our high school English teacher made us read “The Lottery,” by Shirley Jackson, for Halloween. Lame. And old hat. Ursula LeGuin in “The Ones Who Walk Away from Omelas,” or even Tam Lin and the sacrifice to Hell were better deals.

So when I picked up Jackson’s Castle, I wasn’t expecting much.

That’s how the best things happen.

Aside from first learning of the wonderful name MerriCat for Mary Katherine, this is the book that teaches many writers about untrustworthy narrators. The story is basically two sisters, MerriCat and Constance, living alone in an old house, young girls, and slowly but surely you come to find out why. And then everything goes to Hell on the point of a knife, but it’s a good ride. Here’s another quote, just to give you an idea:

“My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.”

Yeah, she’s a beaut, that Merricat. Jackson’s writing style is so cheerfully prosaic as she pushes out lines of such blood-curdling creepiness, you think, “Who WRITES like this?” For instance, when MerriCat idly comments: “I wonder if I could eat a child if I had the chance.’ ‘I doubt if I could cook one,’ said Constance.”

If you want a post-Halloween scare, read this atmospheric, quirky, Poe-as-a-woman-with-a-semblance-of-feminine-understanding masterpiece.

If you read it before bed, you might want to leave the light on. And stop taking sugar in your tea.

Why this book this week: I read this book years ago, and picked it up again when some bookseller friends and I were discussing online what we were currently reading.