Heating With Books

books 010Now don’t judge me for what I’m about to tell you. Because every one of us who runs a bookstore has had to face this dilemma at one point or another, and if I do say so myself, Jack and I have found a creative and elegant solution.

Bookstores have unsellable books. It happens. 1970s manuals on why the Rapture will be within the next 10 years – reprinted in the 1980s and 1990s. At which point I assume the preacher died and went to his Heavenly Reward. (I’m not cynical, just have a wicked sense of humor and a healthy disrespect for fearmongering versus “This is God. Get to know God. It’s important.”)

Then there are the Arthur Hailey novels, the 1960s Fiction Book of the Month Club, and Thomas Costain.

Costain works the best for our purposes, because his paperbacks are nice and thick. Still, the book club editions stack well.

books 009Around the walls. We finally sat down and worked out a solution to “What are we gonna do about our heating bills” for this 1903 drafty monstrosity of a bookstore we live in. We needed to insulate better. What did we have to do it with?

Why hel-LO there, Danielle Steel! Steamy heated love scenes? Perfect for under the windows. We lined all the outer walls of our shop with romances, has-been how-tos, hardback fiction that’s been there, done that, and a few copies of  Time Life Big Books.

Thin, those, but nice and tall for the corners.

We got heat, ladies and gentlemen, and those books are getting the dignified retirement they deserve. If someone actually wanted to buy one, I’d have to explain that market value would be determined by the temperature outside, of course. Not that anyone will. These books are elegantly unsellable.books 008

And thick. And weighty. And perfect. We are WARM! Our heating bill is going down. And we culled our shelves. Life is going great in these sub-zero temperatures.

Jack and I live in a house lined with books. Go by, cold world!

The Monday Book: THE ODD SEA by Frederick Reiken

This was an odd little book – little in that it is short. Odd in that it is about a disappearance that remains unsolved. Rather than taking the thriller resolution or the Doris Day film happy reunion ending, it just…. stops.

Philip’s older brother Ethan disappears, on a random day doing some normal activities. And the rest of the book is about piecing together what the rest of the family can of their lives. And there’s a lot of Catcher in the Rye coming of age bits about sex, too. Ethan was having sex with his girlfriend and a local artist, and both of these things figure prominently in his diary–which his oldest sister, Amy the Angry, finds. She keeps it from the police and press, but Philip traces his brother’s footsteps–almost literally, as he kind of falls for the one girl and is fallen for by the other.

The book explores the darkness inside all of us, but across the surface. It’s more about how Philip deals with all the things he can’t explain around him–including his brother’s disappearance and his emerging manhood.

And the title is one of the best parts; it comes from the youngest daughter demanding that the father distract them all by telling stories to the family on the porch. And he tells them the adventures of the Beaver King and Queen and their son, all through the long hot summer. It isn’t until years later that Philip realizes his dad has beaverized The Odyssey – and done a good job of it. And he begins to think of their lives and Ethan’s disappearance as The Odd Sea.

This is a quiet book, a gentle one, not given to tension so much as exploration. It’s the kind of novel adults like to read about high school times. Two beaver tails up.