Book Betrayal?

I came back from my first-ever SIBA (the Southern Independent Booksellers’ Alliance) conference with a box of some 100 books thrust at me by reps, readers, and some people I think had just crashed the hotel. I triaged these into “not my thing,” “not normally my thing, but let’s try” and “Oh boy!” piles on the long shelf beside my bed.

They made a satisfying bulwark against boredom, and I congratulated myself that, at two books a week average, I’d be reading through them well past Christmas. Of course they got mixed in with new books authors sent for our stocking consideration (we’re getting about one a week now) and the piles got bigger. But then a funny thing happened.

My expectations changed. I found myself reading, not for the satisfaction of the stories, but to determine if I liked the author’s methods. I was reading…. oh dear God in heaven, help me…. only to see if I wanted to sell them.

Sure, I like cozy tales about inherited wedding dresses and chasing down the stories of the brides’ lives from 1902 to 2012. But that’s kind of a trite idea, so it has to be done with really compelling writing. A steampunk send-up of Jane Eyre? Yes, please–so refreshing to fracture a famous tale without using vamps or zombies. I could tell customers about that one with enthusiasm.

That bedside wall of books that was going to take me cozily under covers through the Holidays dwindled faster than the plot line of a Cornwall thriller, as I assessed, summarized, speed-read for basic action ideas, and otherwise treated these books like commodities.

And went through them at a rate of two per night. No slow savoring, no “catch me with your phrasing, reel me in with your descriptions, still me with your elegant prose.” Just, “Yeah, got it. Next.”

Selling used books is a different world than new. Apparently I had slipped unaware through the portal. In the freewheeling, forgiving world of second-hand, not every book pulls its own weight. And eventually, even the oddest books find people who want to love them. It’s more like an adoption service, a recycling center, a retirement home. Communal, not capitalistic.

Now I was doing cold hard “yep, this’ll sell, this won’t” separations of the sheep from the goats.

But . . . I like goats. . . .

Maybe we’re not ready to be new-book retailers, God Bless and Keep Them. I don’t mean what they do is in any way less than what we do, just different, vastly different.

We like our cozy little slow-life retirement and recycling center. And–let’s face it–eventually those hot new commodities are going to land on our shores anyway. So maybe we’ll just wait here in the rockers. . . .

 

Your Old Book is not *%#^%$ Valuable, OK?

People come into the shop on a fairly regular basis, clutching a single tome wrapped in plastic. They have the hopeful idea that this will purchase their retirement on a small private island.

Sorry, but here are the seven most common reasons we see on why your book might cover lunch at Applebee’s but no more:old books

7. It’s a paperback. Trust us on this one; by the time a paperback is old enough to be antique, it’s too battered to be pretty. Planned obsolescence in the binding glue, or something like that.

6. You have the book club edition. Jack and I got very excited in the early days, finding we had an old hardback of Laura Hobson’s Gentleman’s Agreement, which goes for $600 in a first edition. We had the sturdy, ubiquitous one instead. It’s like the difference between an Aston Martin and an MGB GT; both are pretty, both are cool, but only one is hard to find.

5. It has worm holes. Yes, even if the worm is dead, even if the cover still has its gilt lettering and hand-sewn edges intact, those holes aren’t adding character, they’re subtracting value. Ask any Science Fiction fan: worm holes are bad news.

4. It has Reader’s Digest in the title. Just stop it, ok? We don’t want to buy it and neither does anyone else on the planet.

3. Something has chewed the corners. Dog-eared, maybe; dog-chewed, nyet. And no, we don’t want to hear what got it, or how. Just leave quietly without touching anything. Thanks.

2. The author is still alive. I once mentioned to my agent Pamela, just before visiting her in NYC, that in the used business, a dead author’s work tends to be worth exponentially more than that of a live one. After a brief pause, she asked in honeyed tones, “Do you like Ferris wheels, dear?”

1. It’s part of an encyclopedia set. Unless it’s pre-1800s (we’ve seen one in six years) make a book angel out of it and be happy.

So your book is probably not valuable in terms of money, but let’s not forget it’s still a wisdom house, a snapshot of words between covers that–barring dogs and old glue–hold them in one place, and through time. It may not be worth money, but it’s still valuable. Enjoy it; display its pretty cover; read it, turning the pages gently (and possibly wearing gloves). It’s yours to discover.