Why Writing is Like Crocheting (or Knitting) II

Today’s blog is dedicated to all the needleworkers out there, keeping the world warm and held together.

yarnStarting is the hardest part, isn’t it? The blank page {shudder} – nothing is scarier. And part of it is knowing that the foundation row has to be right. How often have we made an afghan that’s gorgeous, except down at the bottom it’s too tight and curls and won’t lie flat. Or worse, worked our way up and found on row 20 that the reason for this ever-increasing mistake is a tiny error back on row 2–and you have to go back and fix it, or nothing will turn out right.

Which is debilitating, as you stare at that massive tangle of ideas that might or might not be one single and whole thread, the piece of yarn that’s all gnarled up together so you can’t even see the beginning and ending of it. Your heart sinks as you take up the mass of loops and knots all stuck together, and yet, there’s this tiny piece of you that wants to get in there and tackle the thing, rise to the challenge, subdue it, turn order into chaos… and that’s pretty much the opening process, isn’t it? Every story has a beginning, the entry point A, and an ending, the exit point Z, so you try to find yours in all those crazy ideas tied together in your head, and they wind so tightly together that they seem like one thing.

But then you find either point–the beginning or the end–and start moving, forward or backward, patiently, one hand on the thread and one pushing through the tangle, moving, sifting, unwinding, over and under and back up again with gentle movements–although every once in awhile you just give the whole thing a good hard yank accompanied by a correctly-conjugated F word, and go get yourself a glass of something. Then you come back and sit down and think some more, slow, patient, finding the thread that runs through the middle of all those knotted bits.

And before you know it, you have a plan: a ball of thread to work with, a pattern to follow, and some time to get going. And time makes time, which people who do yarn work understand: it doesn’t take away your time, it gives it back. You write and write, and then you hit a mistake, a bit where the pattern doesn’t seem to read right, a character who dances sideways with a big raspberry, and you get frustrated and put it down and go away.

It’s amazing how a night off provides clarity, because when you make yourself take it up again yarn bombthe next day, well of course, here it is, a mistake in the pattern, or a doubled stitch, a word out of season, an idea in the wrong place, easily fixed, what were all the hysterics for? And on you go.

And on, and on, and then suddenly you look down and the thing that was a tangled mess that became a pattern and a plan has become under your steadily moving fingers a cohesive whole, a recognizable garment, a story to be reckoned with. You didn’t think you were getting anywhere and then BAM you’re putting on the edging, binding the whole ending back to the beginning. It’s colorful, and vibrant, and right.

rainbow-crochet-coatAnd satisfying. So very, very satisfying.

Never Judge a Book by its Black Sack Covering

books It continues to be a delight to have our lives revolve around the bookstore, to meet folks almost every day who have read Wendy’s book and made a trip to see us, and to be surrounded by ‘bookstore friends’ at the regular events we put on.

But in the middle of all that fun, we deal with the more mundane–and often tedious–jobs such as pricing and shelving the donations and books that show up—usually at the busiest times of the day or week. These unforeseen arrivals often come by the truckload, and that can be a real challenge., since we no longer have hidden spaces to store books until we can find time to sort them. In some cases, we wind up checking their current value on the Internet as well as “stick-n-stash” (as we have ignobly nicknamed pricing and shelving).

A few days ago Wendy was sitting back heaving a sigh of relief, having just dealt with a slew of these incomers; they’d arrived in dribs and drabs throughout the day, and she was proud of having cleared them in a timely manner despite having a record number of customers in the shop.

And then the door opened.

In came our good friend Cyndi Newlon (you can see her in the video tour of the bookstore, playing the corpse in our mystery room). http://www.youtube.com/watch?v=03cmGdapxPQ

Cyndi runs a writing center at the nearby college, and she’d asked if we wanted “some old library books.” Apparently, today was the day, and “some books” turned out to be ten large tightly knotted black sacks. Each one was seriously heavy, I discovered, as I helped get them out the back of her SUV and up onto the dry half of the porch.

I had been in the process of getting to grips with our brand new power washer, cleaning the soot of our front porch and outside chairs and tables after the recent big fire across the street. The arrival of Cyndi was a mixed blessing – respite from wrestling with the washer, but ….

We knew that the sacks couldn’t be left lying outside, so there was nothing for it but to dive in and start checking. Old library books are a mixed bag, often useless, but sometimes wonderful. We quickly turned up two or three hard-to-find William Faulkners, as well as quite a few rather attractive very old poetry and short story collections.

Our hearts beat faster. We warmed to the task. It’s not easy to explain to “normal” people, but bibliophiles will understand the excitement of digging through opaque sacks of old books, exclaiming over long-forgotten friends, discovering new titles.

And that’s just thinking of them as books. When you think of them as objects to be sold, well, usually with old worn ex-library books you’re lucky to find maybe one or two in every fifty that would worth hanging on to, but we were amazed with this collection. As we trawled through, we found many first editions, along with rare titles containing beautiful illustrations.

So we are grateful to Cyndi and Don for thinking of us and, once again, we learned to be grateful for what on first blush looks like a lot more work at a busy time. And we learned that you never know what good things might be hiding in a bulging black sack.