The Monday Book: STORY HOUR by Sarah Henderson Hay

pigI told them a thousand times if I told them once:
Stop fooling around, I said, with straw and sticks;
They won’t hold up; you’re taking an awful chance.
Brick is the stuff to build with, solid bricks.
You want to be impractical, go ahead.
But just remember, I told them; wait and see.
You’re making a big mistake. Awright, I said,
But when the wolf comes, don’t come running to me.
The funny thing is, they didn’t. There they sat,
One in his crummy yellow shack, and one
Under his roof of twigs, and the wolf ate
Them, hair and hide. Well, what is done is done.
But I’d been willing to help them, all along,
If only they’d once admitted they were wrong.”

This is from Story Hour, published in 1963 by Sarah Henderson Hay, the most popular and enduring of her six poetry works.

I love fractured fairy tales as much as I hate poetry. (There, now I’ve admitted it. Likely this diminishes me in your eyes, but usually I just don’t get the stuff.) But as my friend Teri can testify from yesterday’s blog, I love fiction that analyzes dysfunction. Hay calls Hansel and Gretel juvenile delinquents; Rapunzel chooses safety over love; the Goose Girl  princess hates court life and longs for the little farm boy back home, “who knew better games to play than Ring around a Rosy.”

Yeah, they’re kinda raw. And beautiful. My all time favorite line about storytelling is from Hay’s interpretation of Jack and the Beanstalk: “Was no one sorry for the murdered giant? How requisite to every fairy tale, a round-eyed listener who asks no questions.”

Hay has a way of revealing troublesome undercurrents, turning the unexplored but-how-did-the-minor-characters-feel moments into startling new ways of seeing. Mother Hubbard, told from the dog’s point of view, is gut-twisting, counterbalanced by the stepmother’s cheery prattle regarding Cinderella.

It used to be hard to find this book, but with reprints appearing across the academic spectrum, this little gem should be fairly easy to lay hands to. I highly recommend doing so.

https://libwebspace.library.cmu.edu/specialcollections/shhay.html has information about Hay’s life and literary collection, if you’re interested.

And although Story Hour is my favorite of her works, she wrote a lot about Christianity, too.

I tracked Him to the mind’s far rim.

The valiant Intellect went forth

To east and west and south and north,

And found no trace of Him.

We walked the world from sun to sun,

Logic and I, with little Faith,

But never came to Nazareth,

Or found the Holy One.

I sought in vain. And finally,

Back to the heart’s small house I crept,

And fell upon my knees, and wept;

And lo! — He came to me!

The Monday Book: THE MURDERER’S DAUGHTERS by Randy Susan Meyers

daughtersThis book came into the bookstore randomly this past fall, and one night in a lighthearted “what will I read next” ramble, I pulled it from the bookshelf …

… and lost my weekend. Murder’s Daughters is one of those “don’t get up” books where your life partner is going to need to bring you sandwiches. (S/he will if you promise to do the same when it’s his or her turn to read the book.) The plot moves pretty quickly for being as psychology-driven as it is, something I really enjoyed. I like analytical books, but they can drag. This one did not. What’s going to happen next was always on my mind as I carried it into the bathroom, read it at the kitchen table, ignored customers in the bookstore the first time they said hello.

The premise is straightforward: a man loses control and kills his wife, but the only reason he’s able to is that one of his two daughters–a mere child–opens the door for him. Everything else in the dysfunction junction tale that follows stems from that moment. And there are some lovely human psychology moments. How the girls get out of the children’s home they get stuck in –because their blood family doesn’t step up to the plate–is so compelling and so true to humanity that I cried.

The ways in which the two girls so differently handle their subsequent relationship with their father is interesting, but more compelling to me was the depiction of their growing up years in a group home, and how they related to each other by in turns being maternal and manipulative. The girls are well-drawn characters. Great characters drive great plots.

Meyers puts the synopsis of the book well on her website (http://www.randysusanmeyers.com/the-murderers-daughters/): “The Murderer’s Daughters is narrated in turn by Merry and Lulu [the daughters]. The book follows the sisters as children, as young women, and as adults, always asking how far forgiveness can stretch, while exploring sibling loyalty, the aftermath of family violence, and the reality of redemption.”

BTW Meyers has links to buy the book on her site. I know y’all will first explore ordering it from your local bookstore, then if needed buy from her Powell’s link; Powell’s is a cool bookstore with excellent business ethics.

On her website you’ll also find links to her new book, The Comfort of Lies. If the characters are as well-drawn as Merry and Lulu, it will be a great read. Clear a weekend.