A Row by Any Other Name….

bookstore prettyWhen Jack and I visited other bookstores a couple years back on our “Booking Down the Road Trip,” we picked up lots of good ideas from other owners. These included suspending signs from the ceiling to let customers know what was on the shelf below.

Thing is, over the years, one’s sense of humor tends to develop a … caustic approach to identification of book genres. Ask any bookstore owner–although they might obfuscate or distract. It’s not that we’re proud of our subversive humor. We just need it to stay alive in the book business.

So here are a few of the headings under which Jack and I have recently filed books:

FLEAS AND FANGS (Paranormal Romances) – With my friend Melissa, who runs the bookstore Parkville Bookworm in Maryland, I am waiting for the day someone invents a gorgeous, do-gooding zombie in a tux. If he sparkled in the moonlight that raised him from the dead, well, that might be cool, too. One is tempted to speculate on the romantic possibilities of undeadness, but that quickly devolves into a non-family-friendly sexual pun war, so we’ll stop now.

LATTE LIT – This is actually a term coming into vogue as a replacement for “Chick Lit.” It refers to sophisticated good reads of a novel nature. In our shop, we had a section called “Other Times, Other Places,” where I put Historic Fiction and also books featuring protagonists in or from other countries. (Think Robin Maxwell meets Jhumpa Lahiri.) Keeping these outside general fiction lets people who enjoy “Hiss-fit”–as a cynical friend of mine once called Phillipa Gregory and friends–browse without interruption.

GUYS WITH BIG GUNS – Every bookseller goes through this crisis: do thrillers go in mysteries, horror, or war fiction? After moving the political thrillers (read: Vince Flynn and Dale Brown) between war and mystery six or seven times, and trying to keep Ken Follett away from Stephen King, we finally created a new room in our bookstore called “The Mancave.” Here we put thrillers that have to do with politics or war, and the Westerns. They seem to get along well, especially after that movie “Cowboys and Aliens.” Go by, mad world.

HUNKS AND HORSES – This is the feminine end of Westerns – the Linda Lael Millers and Janelle Taylors. The funny part is, if we cross the gender divide and put Longarm in Hunks and Horses, Cassie Edwards in Guys with Big Guns, and the covers are neutral (as with some library editions) men and women will buy “the wrong” Westerns. Proof that tenderness and strength belong to both genders and both genres. :]

CLASSICS – Not an unusual sign, but in a fit of pique one day I grabbed the ladder, crawled up it, and scrawled with a sharpie on the laminated sign “because we liked it.” This is the preemptive strike answer to that question every bookstore employee has been asked: Why is [insert title here] in Classics? We’ve heard this most recently about James Baldwin’s books, and Little Women. (Children’s, apparently.)

So there it is – the secret snarkiness of bookstore owners, revealed on the walls and hanging from the ceilings. I’d love to hear from shop managers and shoppers alike, about signs or shelves you’ve seen.

The Monday Book: DUMA KEY by Stephen King

Yes, I know; some of you are even now saying, “Whaaaa? She’s recommending a bestseller?! I want something more obscure!”

But here’s the thing. King has reached the point in his career where, as one NY editor put it, “He could publish a phone book and it’d make bestseller.” And since all his books are bestsellers, there are people who ignore him. What’s for the masses must not be good.

That dismissal would be a disservice to good, honest writing. Like fellow “pop lit” writer Terry Pratchett, King–even in the midst of his boyish fascination with making horror from human scatology and secretions–sometimes hits literature. Consider these quotes, all from Duma:

“When I look back on that time, it’s with the strangest stew of emotions: love, longing, terror, horror, regret, and the deep sweetness only those who’ve been near death can know. I think it’s how Adam and Eve must have felt. Surely they looked back at Eden, don’t you think, as they started barefoot down the path to where we are now, in our glum political world of bullets and bombs and satellite TV? Looked past the angel guarding the shut gate with his fiery sword? Sure. I think they must have wanted one more look at the green world they had lost, with its sweet water and kind-hearted animals. And its snake, of course.”

“Stay hungry. It worked for Michelangelo, it worked for Picasso, and it works for a hundred thousand artists who do it not for love (although that might play a part) but in order to put food on the table. If you want to translate the world, you need to use your appetites. Does this surprise you? It shouldn’t. There’s no creation without talent, I give you that, but talent is cheap. Talent goes begging. Hunger is the piston of art.”

When King is on, he’s on. When he’s off, welcome to Under the Dome. A friend and I were talking about King’s massive body of hit-and-miss novels, and we postulated that when he’s writing about something that has personal interest for him–his relationship with his wife and family, for instance (Bag of Bones, Lisey’s Story) or people getting hurt in accidents (like in Duma)–he’s spot on.  When he’s not that interested, well, can I just offer my opinion that Doctor Sleep sucked hose water?

In Duma Key, King explored something that definitely fascinates him: creativity. Hence, the book has that great mix his regular readers have come to expect of human nature captured so well in tiny sound bites, amidst tight storytelling about strange phenomena.

So, for all the aspiring writers, painters, chefs, and dancers among us, here’s one more quote from a guy who knows: “Talent is a wonderful thing, but it won’t carry a quitter. ”

Stay hungry, and enjoy.