The Tossing of Couches

love seatEver have one of those marriage moments? Jack and I were divesting the upstairs landing of an old loveseat we picked up cheap someplace. The overstuffed seat, useful at first outside the Second Story Cafe for customers waiting on pick-up orders, was now in prime time bookshelf real estate. Time to say goodbye.

But nobody wanted the ancient paisley green thing, not at a yard sale, not donated. We’d have to carry it out to the trash. It was a solidly-built piece in its day–as Jack and I discovered once we’d eliminated the cushions, taken up the spare change, and unscrewed the solid wooden legs. Thing STILL weighed a ton.

Threading it down our 100-year-old staircase, past the rabbit tunnels of bookshelves between us and the front door, seemed unwise. Too many delicate pottery items and squishable foster cats. So we opted for the back staircase and the long, cold hike across the yard in the dark; we started the whole operation about 7:30 pm.

That probably has a lot to do with what happened next. I’d had a stressful day at the college trying to get some paperwork finalized, and Jack had been alone all day in the rather swamped bookstore – not that custom is a problem, you understand, but we were both feeling a bit hard done by and underappreciated.

So by the time we got The Great Green Monstrosity of Paisley Demonhood (as I may have called it once or twice, because remember by 7:30 pm I’d had a glass of wine on an empty stomach) onto the upstairs landing, I was pretty fed up. Jack standing with his back to the open stairs, the couch aimed at his midriff, yelling “Push, dammit!” was just too much temptation. I set my end down and peered over the railing into the front yard.

The front yard, about twenty feet down as the crow falls, would have to be reached by us carrying TGGMOPD all the way around the side of the house. Unless…..

I looked up. Jack was looking at me. “I will if you will,” he said.

Together we ensured all cats were accounted for behind closed doors downstairs, and that the outdoor flap available to our dogs was closed with them on the correct side. We then maneuvered TGGMOPD into a seesaw position on the railing. I can only imagine what the neighbors thought as we shouted “CHALKS AWAY!” and let go.

Sucker went straight down, taking one branch from our apple tree but no further collateral damage with it. We peeked over the side; the sofa lay on its back like a turtle on the half-shell, implanted in the ground. Jack and I gave each other a high-five.

As Quakers, we practice non-violent solutions and problem management. But perhaps once every ten years or so, tossing a really heavy piece of furniture off a second-story balcony is most satisfying.

 

The Monday Book: OUT OF THE WOODS by Chris Offutt

I like Offutt’s writing. He was “discovered” by doing the Charlaine Harris teleplays for her vampire series going onto TV, but he wrote several “educated backwoods guy/fish out of water” memoirs before that, and some fiction.

Out of the Woods is some of his early work, and while you can see how his use of language has improved since, these stories are still tight, terse, compact and hard. Sorta like that series on TV, “Hell on Wheels” – no mercy, just character driving plot.

Except in Offutt’s stories here, the mountain backwoods communities of Appalachia may be the driving character in many cases. In the title story of the collection, a man travels out to Nebraska to pick up his brother-in-law, and the whole narrative is pretty much read between the lines of what people are saying and doing. I love writing like that, where the story is told as much as by what’s not said as by what is.

My favorite is “Barred Owl,” which smacks of autobiography, and is a character sketch. As we all know I’m a sucker for well-drawn characters. With amazing economy of words, Offutt depicts a guy who’s half in, half out of the world he lives in, so finely-drawn he could be one of the owl feathers that decorates his cabin. Every little point and feathery piece is there.

Offut might not be for everyone. Frankly, not much happens in these stories. They’re slow, lazy, calm, and all the action is underneath the words. Kind of like a mountain brook – you have no idea how fast or deep the water is until you step into it, and by then it might be too late. Offut’s writing sneaks up on you.