Nothing is Scarier than a Blank Page -except maybe an Untold Story

blank-page1Jack and I are holed up at the cabin this weekend so I can get back to my book. It’s been so long, it feels like starting over in some ways. And it’s true, there is nothing scarier than a blank page.

The good thing about the cabin is, no Internet. Which means I don’t fritter time “checking facts” and otherwise pretending to write when I’m really online. The only way to get online is to drive five miles down the road to the Lonesome Pine Grill, buy a cup of coffee, and piggieback on their wireless. Which we do once per weekend only.

Now is a good time to be off the Net anyway, as post-election vitriol turns into fingers that point, names that fly, and tit for tat that makes kindergarteners look mature. It’s all over but the shouting used to mean something was finished; now it’s just descriptive.

Never mind. I’ve gone back to writing. The world may or may not be going crazy. Books to sell, cats to rescue, safety pins to wear, life goes on. What’s scaring me is that damn blank page.

I’m trying not to  make it a metaphor for America. For all the people who felt they weren’t listened to before the election, for all the people who fear their voices may be drowned out after.

There’s just this blank page in front of me, one I need to write on, to tell my story. That’s what comes next. Tell my small, sweet, simple story: cats, books, Jack, life.

Because we’ve all seen the power a good story wields. And what happens when stories go untold for too long. Tell yours. Nothing is scarier than a blank page. Fill it.

The Monday TV adaptation of a book: JOHNATHAN STRANGE AND MR NORRELL by Susanna Clarke

Eddie MarsanSo when this book came to me as a pre-publication edition, sent to several bookstore, I couldn’t get into it. Timing probably had a lot to do with this, but I didn’t give the fantasy novel a second shot.

The other night, in a weird frame of mind, I was looking for something to crochet by on Netflix and saw “Season 1” of the BBC adaptation. And thought, “Why not?”

It’s so much fun, watching this. I’m sure the special effects of written magic have something to do with it – reading about sand horses and ships made of rain only works in some writing styles, but watching them appear? Oh yes, very nice.

For those unfamiliar (the book was a bestseller, after all) this is a novel about two magicians bringing magic back to England during the Georgian era. They play fast and loose with history timelines, but oh they’ve got the fops and pageantry down. The series is a visual feast with lots of cultural insider jokes and brilliant acting moments. The story that I found clunky on the page comes alive in cinematography.

Not that Clarke doesn’t write well, just to each their own. The plot is character-driven. Mr. Norrell is afraid of his own shadow. Johnathon Strange is two degrees off a nitwit. And all their supporters and detractors are very well drawn. There aren’t any paper thin people in this production.

So if you are inclined, pick up the book or tune into the series, whichever suits you better. Read about the King of Lost Hope, the would-be musicians who decide to open a lunatic asylum and wind up with more than they bargained for, the enigmatic Childermass, and the other unexplained mysteries of a world bound by rules that suddenly gets to break them all.

It’s fun.