So when this book came to me as a pre-publication edition, sent to several bookstore, I couldn’t get into it. Timing probably had a lot to do with this, but I didn’t give the fantasy novel a second shot.
The other night, in a weird frame of mind, I was looking for something to crochet by on Netflix and saw “Season 1” of the BBC adaptation. And thought, “Why not?”
It’s so much fun, watching this. I’m sure the special effects of written magic have something to do with it – reading about sand horses and ships made of rain only works in some writing styles, but watching them appear? Oh yes, very nice.
For those unfamiliar (the book was a bestseller, after all) this is a novel about two magicians bringing magic back to England during the Georgian era. They play fast and loose with history timelines, but oh they’ve got the fops and pageantry down. The series is a visual feast with lots of cultural insider jokes and brilliant acting moments. The story that I found clunky on the page comes alive in cinematography.
Not that Clarke doesn’t write well, just to each their own. The plot is character-driven. Mr. Norrell is afraid of his own shadow. Johnathon Strange is two degrees off a nitwit. And all their supporters and detractors are very well drawn. There aren’t any paper thin people in this production.
So if you are inclined, pick up the book or tune into the series, whichever suits you better. Read about the King of Lost Hope, the would-be musicians who decide to open a lunatic asylum and wind up with more than they bargained for, the enigmatic Childermass, and the other unexplained mysteries of a world bound by rules that suddenly gets to break them all.