SHELVING: THE FORGOTTEN ART

Our shopsitter Emily guest blogs on her shelving experiences

EmilyI like to organize. So in a bookstore where there’s always books coming in and out, daily, I feel these urges to put all the shelves in perfect order – alphabetical, by genre, all in a line, etc. Which has led me to stand in front of the shelves for a few days in a row now, head slightly tilted, sometimes just staring, sometimes repeating the alphabet out loud to myself, looking like a weirdo, trying to figure out what all these words on the spine mean and each bound object relates to each other.

I’ve discovered who Grace Livingston Hill is and that “inspirational romance” is quite popular (I’m going to have to try one, it sounds quite nice). I’ve seen parenting books that start with dealing with your own mommy issues and work through just about every month of the next twenty years of your life. There’s more gender in books than I’d ever realized before – clearly, some books are ladies’ books and some books are gents’ books. I’ve spent most of my time so far among the fiction books, and I’m totally impressed by the number of stories there are to tell in the world.

But one of the coolest parts has been realizing that all (or at least most) of these used books have come from someone else’s home, where they were sitting on someone else’s bookshelves or nightstand or closet floor. They probably all have a story to tell about the home they used to live in and how they got that slightly crooked spine. In my time here, the books on these shelves have already witnessed dozens of friendly faces, new and familiar, a rowdy game night, four cats who got adopted, and a strange lady who keeps staring at them, planning a master plan about how best to move them shelf to shelf to shelf just so they can get adopted, too. If only books could speak, right?

The Monday Book: SHADOW TAG by Louise Erdrich

shadow tag This was a creepy book. On the one hand, it’s scarier and more ominous than many thrillers I’ve started but never finished. On the other, it’s about marriage. Draw your own conclusions.

If I had to choose one word to sum up this book, ironically enough it would be “Complex.” The complexities of how people exhibit love, whether love and hate really are two horns on the same goat, and what it means to belong to as opposed to live freely beside someone are all explored with some fairly high-concept stressers added. The couple are Native Americans. They are successful artists. They are alcoholics. And whether they love each other or use each other or even like each other is up for grabs in the eyes of the reader.

And get this: she creates that complex effect with simplicity. Her writing, lyrical though it is, is pretty simple. The dialogue where the couple are arguing about love and divorce, interjected with tossing a salad and setting the table, had me weeping with laughter. “You don’t understand love at all. Do you want croutons?”

Also, Irene, the writer, is writing two diaries at the same time to confuse her painter husband Gil, who is reading the one he thinks is real. And she gets confused between them herself. Which is kinda funny, kinda tragic.

What is clear is that chaos creates chaos creates complications, and that the kids are incredibly well-drawn characters in this novel. Your heart breaks over them, and I suspect no two people would read this book in quite the same way. It’s just a jumble of ideas that are strung together in a story line, and sometimes it’s a series of descriptions rather than a “this happened next.”

Which works and adds to the chaotic doomed feeling of the book.

All I can say is, don’t read this book if you’re in a really good mood, or a really bad one. Read it when you have time to think about the complexities, puzzle over the “why did she and why didn’t he” moments, and feel. You’re gonna need a lot of time to feel, and you’re not always going to know why you feel what you feel. At least, I didn’t.

Two head scratches and a thumbs up for this beautiful, scary novel.