A Row by Any Other Name….

bookstore prettyWhen Jack and I visited other bookstores a couple years back on our “Booking Down the Road Trip,” we picked up lots of good ideas from other owners. These included suspending signs from the ceiling to let customers know what was on the shelf below.

Thing is, over the years, one’s sense of humor tends to develop a … caustic approach to identification of book genres. Ask any bookstore owner–although they might obfuscate or distract. It’s not that we’re proud of our subversive humor. We just need it to stay alive in the book business.

So here are a few of the headings under which Jack and I have recently filed books:

FLEAS AND FANGS (Paranormal Romances) – With my friend Melissa, who runs the bookstore Parkville Bookworm in Maryland, I am waiting for the day someone invents a gorgeous, do-gooding zombie in a tux. If he sparkled in the moonlight that raised him from the dead, well, that might be cool, too. One is tempted to speculate on the romantic possibilities of undeadness, but that quickly devolves into a non-family-friendly sexual pun war, so we’ll stop now.

LATTE LIT – This is actually a term coming into vogue as a replacement for “Chick Lit.” It refers to sophisticated good reads of a novel nature. In our shop, we had a section called “Other Times, Other Places,” where I put Historic Fiction and also books featuring protagonists in or from other countries. (Think Robin Maxwell meets Jhumpa Lahiri.) Keeping these outside general fiction lets people who enjoy “Hiss-fit”–as a cynical friend of mine once called Phillipa Gregory and friends–browse without interruption.

GUYS WITH BIG GUNS – Every bookseller goes through this crisis: do thrillers go in mysteries, horror, or war fiction? After moving the political thrillers (read: Vince Flynn and Dale Brown) between war and mystery six or seven times, and trying to keep Ken Follett away from Stephen King, we finally created a new room in our bookstore called “The Mancave.” Here we put thrillers that have to do with politics or war, and the Westerns. They seem to get along well, especially after that movie “Cowboys and Aliens.” Go by, mad world.

HUNKS AND HORSES – This is the feminine end of Westerns – the Linda Lael Millers and Janelle Taylors. The funny part is, if we cross the gender divide and put Longarm in Hunks and Horses, Cassie Edwards in Guys with Big Guns, and the covers are neutral (as with some library editions) men and women will buy “the wrong” Westerns. Proof that tenderness and strength belong to both genders and both genres. :]

CLASSICS – Not an unusual sign, but in a fit of pique one day I grabbed the ladder, crawled up it, and scrawled with a sharpie on the laminated sign “because we liked it.” This is the preemptive strike answer to that question every bookstore employee has been asked: Why is [insert title here] in Classics? We’ve heard this most recently about James Baldwin’s books, and Little Women. (Children’s, apparently.)

So there it is – the secret snarkiness of bookstore owners, revealed on the walls and hanging from the ceilings. I’d love to hear from shop managers and shoppers alike, about signs or shelves you’ve seen.

Samantha Charles guest blogs on her novel REDEMPTION

We get many review requests from regional authors, and as a bookstore and book blog want to support all forms of publishing and creativity in today’s strange marketplace. (Read: the stigma of self-publishing is dead; everybody likes a good story; huzzah for regional authors.) Offering a guest blog rather than a review seems the simplest way to give that support.

Meet Samantha Charles, whose book REDEMPTION came out recently from Black Rose Publishing, who in her own words explains:charles

Redemption is a work of contemporary women’s fiction inspired by the courage of Harper Lee’s To Kill a Mockingbird, and infused with the elements of mystery and romance found in the works of Sandra Brown. The quaint hospitable charm of the setting gives the work a distinctive southern voice, yet the timbre lacks the cultured polish of the Low Country cadence found in Anne River Siddons work.

Like my protagonist Lindy, I grew up as a Southern minister’s daughter in a slow-paced coal mining community in Virginia. Lindy and I have had similar experiences. Stephen King once said, “Fiction is the truth inside the lie.” You could say Lindy and I share many truths.

Throughout all the plot twists and changes, the ending of Redemption never deviated from my original version. Once the story reached a natural conclusion to the action, I simply stopped writing.

After several years spent in creative Heaven, and a few more spent in the fires of editing Hell, Redemption has become a piece of fiction that I am proud to share with you. I sincerely hope that you all enjoy your time in Parson’s Gap. Thank you for the opportunity to introduce myself to your readers. I am grateful for the time you’ve all invested in learning more about me, and my work.

Samantha Charles is a native of the Southeastern United States. As a writer, she enjoys sharing the rich, diverse, and sometimes dark, traditional heritage of the Appalachian Mountains. Samantha’s debut novel Redemption is the first of a series set in Parson’s Gap; a small coal-mining community inspired by the people and places she grew to love as a child. Her work explores the social and cultural issues, both good and bad, that permeate the southern region she calls home. When she is not busy creating new worlds, she teaches English at a local college. Currently, she is hard at work on Salvation, the sequel to Redemption.

For more information on Black Rose, you can visit their website at www.blackrosewriting.org or the AW author forum: http://www.absolutewrite.com/forums/showthread.php?t=97741