The Monday Book: MEMOIRS OF A SURVIVOR by Doris Lessing

I like most of Lessing’s work, but she can be a real downer. This book picks up on some scenes that appear in others, and since this was published in 1974, I’m assuming these were the first appearances, and their refinement came in later works.

Somewhere in her life, Lessing saw or felt that girl children were valued less than boys. She’s got this running as a sub-theme through a lot of her novels, and it’s here in a few of the scenes involving Emily, the teenage protagonist of this novel.

The novel has two protagonists, the second one also being the narrator, a woman in late mid-life who watches from her London flat window as society breaks down around her. Think “The Road” because there’s no specification of what’s happened, just reactions to it. The societal disorder is actually pretty ill-defined, because it’s mostly there to explain why there are bands of roaming young people terrorizing the city. Think “Children of Men.” Something’s gone wrong centrally.

The narrator gets Emily in a very strange way; one day a man knocks on her door and tells her this child is her responsibility from here on out. And the narrator says “Fine.” Think Stephen King, eschewing explanation and yet not sounding implausible because it’s all so human-nature driven.

Then Emily gets into all sorts of scrapes and her pet Hugo is getting eyed up by the gangs for dinner, and it’s not going well, and…. well, the ending is a bit of a shocker. It’s actually happy. That’s all I’m gonna say.

This book requires a lot of the reader. Nothing is what it seems, except is is. Everything is falling apart, and yet some things are getting better for no reason. If you like literary fantasy – and I’m not even sure that’s a genre – you’re going to love Lessing’s Memoirs of a Survivor. If you like things explained, best pick up something else.

When she published it in 1974, Lessing called it a dystopian fable. Apparently, it was made into a movie in 1981. I don’t even want to think what violence the subtle writing and edgy themes would have suffered in that process. I’d say this book is like steel lace. The beauty is unusual in where it’s found, yet the writing is so delicate in describing bluntness. Steel lace.

Cleaning up the SF/Fantasy Section

sf catThe other day I tackled a job I’d been dreading. Only because it offered procrastination on a job I dreaded more.

So now we know: when it comes to cleaning and culling the Science Fiction and Fantasy shelves versus doing laundry, SFF wins.

Not casting aspersions, CJ Cherryh needed some serious attention along the spines. It’s the hazard of being shelved low in a cat-fostering bookstore; hair accumulates. And of course, the cats WOULD gravitate to Cherryh….. (Inside joke: for those who haven’t read her, she has a feline world thing going. I suppose if we had staff unicorns, they’d hang with the Anne McCaffreys. But do unicorns shed?)

And then there was alphabetization….The SFF shelves line the walls, but one sticks out, chest-height, at a right angle into the room. So, should A – or, as it’s known in the biz, Asimov, Anderson, Anthony – start on the wall or the sticky-out shelf.

It would have made more sense to plan this from the get-go, but not until I hit the Hubbards and Forgotten Realms (for some reason side by side in my mismanaged universe) did I decide the series would fit on that low shelf. So sensible, so orderly, so non-chaos-theory!

Until one tries to decide what a series is.

Star Trek, TekWars, Dragonlance – sure. But what about Jordan’s Wheel of Time, or Martin’s Game of Thrones? A chance to put him alphabetically next to, oh, say Meuller’s lesser-known trilogy would afford opportunity to see it while hunting famous people.

Yeah, we book sellers are sneaky like that.

But then there are the space issues (heh heh). Herbert’s Dune is the 1970s Hunger Games more’s the pity – but it’s just too MUCH to get all that shelf space devoted to it. So I double-stacked him in the series section.

It felt a little like sending a has-been to the minor leagues. Spaceball? Hmmm…..

Anyway, I got all the way to L (aka Lackey and Lawhead) before I had to decide again. Jack Whyte went to series, but Lawhead? He’s esoteric: Christian themes, fantasy SF combo… Should I put him next to Bradley in series? Oooh, talk about a catfight. Bradley’s lusty Merlin next to Lawhead’s lawful good guy? Eeek.

So yes, I admit my organization of the SFF books became rather random and “because I say so” toward the end there. Burroughs isn’t in series, but Tolkien is–next to Star Wars, poor sweet elves. Pendleton’s bad-guy survivor series is, Axler’s Deathlands isn’t.

Because space dictated it. Space, the final frontier? More like the final border. There’s only so much room, guys.

But I must admit, all this arranging got me in the mood for some fun, campy, spacing out. When I picked up my cat afghan crocheting that evening, I started in on Firefly, which is silly, and sweet, and has GREAT music. A friend described it as “intellectual, plus all the guys wear tight pants.”

Go by, mad world.