Don’t Look Down….

garg_grimstonchurchtower28_1aJack tackles the topic of stress in this week’s guest blog.

When things get a bit fraught around the bookstore, such as when yet another unexpected litter of kittens appears, or we discover a leak under the water heater (Chef Kelley joke there) I only have to think back a few years to put it all into perspective.

Years ago I was an apprentice painter and decorator in my Dad’s business. Being the boss’s son, I was usually the one to be called on to do the particularly mucky or scary jobs–such as painting the drain pipe running from top to bottom of the bell tower on an old church in Kinross–full height of the pipe about 50 feet, starting more than 200 feet off the ground. On its way down the pipe passed about a foot away from the louvers where the sound of the bells issued.

The trickiest job was of course put off until it was the last thing left, so finally it just had to be done. We assembled our longest three-part wooden ladder with ropes and pulleys that weighed a ton, only to discover it didn’t even reach the bottom of the aforementioned louvers. Nothing daunted, we lashed an extra length of ladder onto the three-parter and that did just get to those pesky sound emitters.

Feeling a little nervous I looked to my two older workmates and realized they were making no moves towards the ladder(s). Sizing up the situation my Dad put his foot on the first rung getting set to put everyone to shame. “Hang on,” I said (after all he was approaching retirement). “I’ll do it.”

So, up I went until the ladder bent in so far, hardly and room remained for my toes against the wall. Still couldn’t reach the whole pipe. Down I came and tied the brush to a length of scrap wood and ascended once more. That got the pipe painted from the ground to about 1/3 of the way up, past the bottom of the louvers.

Pondering on how we’d get the rest done I followed my Dad as he entered the tower and climbed up the stairway until we emerged on the roof, carrying the paint pot and the brush still attached to the scrap wood.  We managed the middle next to those blasted louvers; I put my arm out of the nearest opening to the pipe (which I couldn’t see from inside) while my colleagues shouted instructions from the ground – “left a bit, right a bit, up a bit, down a bit.”

That still left the top of the pipe, just below the battlements. I looked over at my dad. He was looking at me in a speculative way, rubbing his chin. A horrible thought struck me….

And that, ladies and gentlemen, is how I found myself shortly afterwards dangling upside down outside the tower between two battlements with my Dad holding my ankles while I stretched as far as I could with the extended brush.

Once you’ve been suspended upside down 50 feet off the ground by your ankles, there’s not much that happens in a bookstore that can faze you. I remind myself of this as I play with our new foster kittens.

Epilogue: Years later Wendy and I were visiting my elderly Mum and sharing stories about my by-then- deceased Dad. I was certain she would never have known about the Church tower, but I had hardy started when she began chuckling. “I knew about that before you got home, Son. Don’t think I didn’t speak to your father about it, either!” Her chuckle erupted into laughter. Let that be a lesson to you; don’t think your Momma don’t know!

Someday—-

Jack’s poignant guest blog reflecting on then, now, and someday

Back in the early 1960s, I was a twentysomething hanging out on the Scottish folk scene. We had a number of dedicated folk-song clubs established in cellars, cycle clubs and all sorts of unlikely venues, and they all had one thing in common: singing in harmony together at the end of the evening We Shall Overcome!

Now we did (and still do) have a certain ‘fellow feeling’ in singing it, Scotland being a country that felt put upon by its bigger neighbor, but we had no real understanding of where the song came from or what it meant to the folk who created it. We just knew it made us feel strong and special.

Overcome has haunted me for years. An African American gospel song, it was brought to the famous Highlander Center in Tennessee in the late 1950s by Lucille Simmons and members of the Food and Tobacco Workers’ Union. There they adapted it, and staff member Guy Carawan passed it on to Pete Seeger. The rest is history, including more re-makes and re-shapes than Kumbiya.

Over the years I learned about Highlander’s work, and the place seemed near-mystical. When a mutual friend introduced me to Guy Carawan himself just a couple of years ago, I was able to shake hands with a man as legendary to me as John Lennon might be to someone else.

Knowing that back in Scotland we had a too-easy enthusiasm for identifying with those who had faced down the color bar, I was overjoyed when just last weekend Wendy and I were invited to join a group of Appalachian writers at Highlander Center – the very same place where We shall Overcome was re-born as a folk anthem for social justice.

Oddly enough, all the participants that weekend were white. I watched the day’s activities unfold, examined pictures on the walls celebrating the triumphs of activism, read news clippings and wandered around, feeling out of place. Was it my being from Scotland that made it feel an exclusive rather than inclusive experience? Was it worship from afar meeting the reality that one group can only do so much?

A friend uses the term ‘folk elite’ to describe people who mean well but who don’t ultimately impact the place in which they have decided to practice charity. Perhaps that is what I was: one of the elite, incapable of grasping the legacy spread before me. But I have to admit, at the end of that weekend I felt no closer to being part of the “We” in We Shall Overcome than I did back in the sixties, in Scotland, holding hands with all my fellow middle-class singing friends. And that saddened me.