Category Archives: reading

Cleaning up the SF/Fantasy Section

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sf catThe other day I tackled a job I’d been dreading. Only because it offered procrastination on a job I dreaded more.

So now we know: when it comes to cleaning and culling the Science Fiction and Fantasy shelves versus doing laundry, SFF wins.

Not casting aspersions, CJ Cherryh needed some serious attention along the spines. It’s the hazard of being shelved low in a cat-fostering bookstore; hair accumulates. And of course, the cats WOULD gravitate to Cherryh….. (Inside joke: for those who haven’t read her, she has a feline world thing going. I suppose if we had staff unicorns, they’d hang with the Anne McCaffreys. But do unicorns shed?)

And then there was alphabetization….The SFF shelves line the walls, but one sticks out, chest-height, at a right angle into the room. So, should A – or, as it’s known in the biz, Asimov, Anderson, Anthony – start on the wall or the sticky-out shelf.

It would have made more sense to plan this from the get-go, but not until I hit the Hubbards and Forgotten Realms (for some reason side by side in my mismanaged universe) did I decide the series would fit on that low shelf. So sensible, so orderly, so non-chaos-theory!

Until one tries to decide what a series is.

Star Trek, TekWars, Dragonlance – sure. But what about Jordan’s Wheel of Time, or Martin’s Game of Thrones? A chance to put him alphabetically next to, oh, say Meuller’s lesser-known trilogy would afford opportunity to see it while hunting famous people.

Yeah, we book sellers are sneaky like that.

But then there are the space issues (heh heh). Herbert’s Dune is the 1970s Hunger Games – more’s the pity – but it’s just too MUCH to get all that shelf space devoted to it. So I double-stacked him in the series section.

It felt a little like sending a has-been to the minor leagues. Spaceball? Hmmm…..

Anyway, I got all the way to L (aka Lackey and Lawhead) before I had to decide again. Jack Whyte went to series, but Lawhead? He’s esoteric: Christian themes, fantasy SF combo… Should I put him next to Bradley in series? Oooh, talk about a catfight. Bradley’s lusty Merlin next to Lawhead’s lawful good guy? Eeek.

So yes, I admit my organization of the SFF books became rather random and “because I say so” toward the end there. Burroughs isn’t in series, but Tolkien is–next to Star Wars, poor sweet elves. Pendleton’s bad-guy survivor series is, Axler’s Deathlands isn’t.

Because space dictated it. Space, the final frontier? More like the final border. There’s only so much room, guys.

But I must admit, all this arranging got me in the mood for some fun, campy, spacing out. When I picked up my cat afghan crocheting that evening, I started in on Firefly, which is silly, and sweet, and has GREAT music. A friend described it as “intellectual, plus all the guys wear tight pants.”

Go by, mad world.

Someday—-

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Jack’s poignant guest blog reflecting on then, now, and someday

Back in the early 1960s, I was a twentysomething hanging out on the Scottish folk scene. We had a number of dedicated folk-song clubs established in cellars, cycle clubs and all sorts of unlikely venues, and they all had one thing in common: singing in harmony together at the end of the evening We Shall Overcome!

Now we did (and still do) have a certain ‘fellow feeling’ in singing it, Scotland being a country that felt put upon by its bigger neighbor, but we had no real understanding of where the song came from or what it meant to the folk who created it. We just knew it made us feel strong and special.

Overcome has haunted me for years. An African American gospel song, it was brought to the famous Highlander Center in Tennessee in the late 1950s by Lucille Simmons and members of the Food and Tobacco Workers’ Union. There they adapted it, and staff member Guy Carawan passed it on to Pete Seeger. The rest is history, including more re-makes and re-shapes than Kumbiya.

Over the years I learned about Highlander’s work, and the place seemed near-mystical. When a mutual friend introduced me to Guy Carawan himself just a couple of years ago, I was able to shake hands with a man as legendary to me as John Lennon might be to someone else.

Knowing that back in Scotland we had a too-easy enthusiasm for identifying with those who had faced down the color bar, I was overjoyed when just last weekend Wendy and I were invited to join a group of Appalachian writers at Highlander Center – the very same place where We shall Overcome was re-born as a folk anthem for social justice.

Oddly enough, all the participants that weekend were white. I watched the day’s activities unfold, examined pictures on the walls celebrating the triumphs of activism, read news clippings and wandered around, feeling out of place. Was it my being from Scotland that made it feel an exclusive rather than inclusive experience? Was it worship from afar meeting the reality that one group can only do so much?

A friend uses the term ‘folk elite’ to describe people who mean well but who don’t ultimately impact the place in which they have decided to practice charity. Perhaps that is what I was: one of the elite, incapable of grasping the legacy spread before me. But I have to admit, at the end of that weekend I felt no closer to being part of the “We” in We Shall Overcome than I did back in the sixties, in Scotland, holding hands with all my fellow middle-class singing friends. And that saddened me.